Saturday, December 31, 2011

soft shroud

2
THE BOOK OF DEBT



deep in the Impress
Council of  Knifebeaks
slow                perfect agreement

red eyes
in self symmetry

regard


necks feeling out in self puppetry






some fingers dip
deeply

into your old helmet
& come out smelling like death
which begins
at the top of your head

some hand dips deeply
in a pool of plasmic extension

shining cells take the form of the head
of a wild buffalo

body hidden well
bluebells
hollow dell
                on high

image cast in the inversion pool,
      pool falling all the way up
      to the horizon of its record
waves of bodiless
      blue space of former space

Council of Knifebeaks
regards
 in spacious disinterest

compression of the
Great Lung

& there you are
                        vasoconstricted







how did you come into this debt?
                        breath
how did you come into this debt?
                        breath
how did you?
                        the icing tears open the lace working
 the upright blood that swarms into animal forms on a white verandah
where the sun grows you amongst yielding wood, carved flowers’ shade
for a soft projection –          uncantileverable
the belly of her sun, shining camera growing
a turn to face           sun blooming gorse

                        herringbone child
passing lead subtraction up to her mother’s arms
   the feeling is of dropping while the arms themselves lift
the sign of the feeling of lifting arms when they drop is sewing through
the positioning of threads given the through of a thread
   whether the thread’s there, or
an I pouring in sand for a funnel of itself
is sewing the proposed revision of
   how it would have that it had been
how it would have that it had been
satining a pure formerlism
buttonhole of gone kitchen’s
last enamel baby’s feet in the soup
present a shining cap for distress
   the wing of a birdhole
an inner distinction made in limbs
   foreshadowing
   the systematic use of force






whose aunt secures
a clean place to end the confinement


white corner


between family lodgings
trapped


and drowsy on the sunstroke veranda
halfway down a fitted hole






I could reach up among the branches and my fingers would find nests.
eggs fell into my palms.
I ate eels with thrush eggs. I tickled trout
and ate them with thrush eggs.     
I stashed my dress in a saddle-bag and I rode my horse to dances 
and I rode home in the moonlight.
                
I rode home in the moonlight there
the great flock covered the moon it drew my breath’s tide out
sucked every good of my household out                           
into a full collapsing arch of goods      




all go hungry. council comes.
feathers stanch and their necks come
nakedly, the necks of cameras
into tubular halls. 

cleanly the necks of the assignee can
perform assessment and withdraw.

wings for the sunlight can
repletion
arrange
incidental warming
shade for a shame.

for grey lips
fused to the breast
come
the sun can
stanch and draw
extended pause
on the crumbled
edge of the hole

for women
whose arms will drop,
council 

slide apart
then for cleaning
turn the whet edges of tongues
over the knives

and cleanly back upon themselves
tongue
the skin of the necks






hole is a well wall
against her back

pooling in the black
accumulating pupil






from the bleeding breast comes nothing
but hairless doves falling down
the roe of a night window
falling down of there a wave
composing a lowering for embrace
of the horizontal pressures which make combs
a site of musical reversal

this wound is producing
something ceaseless

a wave
pouring sunlight
through its water and

evaporation

Monday, December 5, 2011





perth, then tom price, 1980. that i couldn't sleep for him snoring
that I couldn't wake him. shy to shake him. that I didn't used to be.
shaking him and he doesn't wake up.
you could have woken me up! you should have woken him up!
you could have given him a poke! (he's still your dad.)
like coming down the slide, hoping the emu will move, and it doesn't.
can you please play it again? the one about them cooking the baby.